Floral Notes and Bardo: Blissful Who-Knows-What (HUM HUM HUM)

By Travis Newbill

Floral Notes and Bardo: The Creative Chronicles of a Shambhala Mountain Resident is a daily feature on the SMC blog in which a member of our staff/community shares his experience of existing as part of Shambhala Mountain Center.

Greeting my smile at the bottom of the ocean, therefore unconcerned with flotation or undertow.  Wakeful waves — only the chatter of the depths.

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Friday evening — Feast celebration for Trungpa Rinpoche‘s Parinirvana.  Sadhana of Mahamudra.  In the middle of the triple HUM recitation — the space of rainbow magic manifest — the Sakyong and the choir of Acharyas, appeared.  We created an isle, parted the sea.  Rinpoche came in and prostrated three times to the large Buddha, which contains his father‘s skull relic, and a picture of the Vidyadhara on the shrine along with many offerings.

He gazed at the picture, whispered blessings, and tossed a khata into the seated Buddha’s opened palm (perfect shot).

He offered amrita from a skull cup to each one of us.  Then, out front, he said some words about the preciousness of us all being gathered at the Great Stupa for this occasion.  Then, we sang the Anthem and circumambulated.

I circumambulated behind Pema.

Then, back into the Stupa and resumed the feast:

HUM HUM HUM

After the feast, chants, and a video of Trungpa Rinpoche giving a talk at Naropa in 1976. Then, old-timers shared stories.

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Saturday, a day of catching up with Heather. Since the move it’s been so scattered. Lots of time together. Felt great, healthy.  Anyway…

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Sunday morning, a talk from the Sakyong to the staff.  Beautiful.

In the evening, dinner in the shrine room, because we’re re-painting our dining hall.  Joshua and Greg (old dogs) telling us about consorts and yabyum deities (because we asked like curious children).  Mystical things in a fun tone.

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Being around the Sakyong and Acharyas… Feels warm, big.  Glad to be a part of it.  Yesterday, before Rinpoche left the land, I was speaking with Acharya Lobel.  He expressed to me what a powerful retreat it was for all of them.  That they were grateful for the staff holding the space so well, and that, inside, they were blown away by the teachings.

It’s great to hear that.  I’m glad to be contributing.  And, hearing reports of what’s going on “inside” keeps me brimming with curiosity and longing.

It’s fun.  It’s an adventure.  How to get to the next point?  Clues and questions.  Magical encounters.  Synchronicity…

So much synchronicity while they were all here.  Like, whatever was going on in that shrine room was affecting everything else.  The waves extending and stirring things into blissful who-knows-what.  Music.

– April 7, 2014

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PortraitTravis Newbill is a curious dude on the path of artistry, meditation, and social engagement who is very glad to be residing at Shambhala Mountain Center. His roles within the organization include Marketing Associate and Head Dekyong–a position of leadership within the community. 

Floral Notes and Bardo: My Lil’ Spot and the Ongoing Miracle

By Travis Newbill

Floral Notes and Bardo: The Creative Chronicles of a Shambhala Mountain Resident is a daily feature on the SMC blog in which a member of our staff/community shares his experience of existing as part of Shambhala Mountain Center.

“…the womb of Avalokitesvara, a vast secret silence, springtime in the Void…” –Jack Kerouac

Drawn like a sketch, watercolor, drawn by a star–across the meadow, into a spot in the valley –feels like home.  I’m in my spot.  I am that spot.  That spot is my spot.  There is no better spot for me.

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After four months in the cushy (oh so cushy!) lodge, we’ve moved back out into the woods, into our little cabins and trailers.  I’m so glad for it.  I’d been becoming a bit attached to lodge living–a bit lazy, a bit like vacation.

Now, getting back into my groovy little cabin last night, right near the Stupa, felt so good.  After being in there for a few minutes it started to overwhelm me.  It was like connecting with an old friend.  I’ve never felt more at home in any spot on this planet than I do in my little cabin on the hill, which Trungpa Rinpoche named Avalokiteshvara.

I glowed for a while.  Heather was up on the loft in the bed, enjoying my giddiness–deep giddiness.  I lit my incense and hugged the house with my energy. Ya, ya, ya… Ahh.

So glad.

And… Heather was now in my house, which was so surreal.  It’s been such a solitary, mystic, artist thing up there.  Now, she has manifested like a dream.  Before she arrived at SMC,  I sang about her in that house, her art was on the walls. Now she’s here.  Beautiful girl in my little house.  Little honey blessing.

Before we turned out the little solar-powered lantern to go to sleep, the little book on my milk-crate night-stand was calling me: The Scripture of the Golden Eternity.  My brother gave me his well-worn copy a few years back.  It’s a special book–beat-dharma from Brady.  So, the little book was calling me and I felt like there was something nice in there for the moment.  Here’s the passage that I opened up to, by chance/karma:

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The words “atoms of dust” and “the great universes” are only words. The idea that they imply is only an idea. The belief that we live here in this existence, divided into various beings, passing food in and out of ourselves, and casting off husks of bodies one after another with no cessation and no definite or particular discrimination, is only an idea. The seat of our Immortal Intelligence can be seen in that beating light between the eyes the Wisdom Eye of the ancients: we know what we’re doing: we’re not disturbed: because we’re like the golden eternity pretending at playing the magic cardgame and making believe it’s real, it’s a big dream, a joyous ecstasy of words and ideas and flesh, an ethereal flower unfolding a folding back, a movie, an exuberant bunch of lines bounding emptiness, the womb of Avalokitesvara, a vast secret silence, springtime in the Void, happy young gods talking and drinking on a cloud. Our 32,000 chillicosms bear all the marks of excellence. Blind milky light fills our night; and the morning is crystal.

This morning I woke up at 5, walked down to the outhouse singing, just like I used to (my body remembered just what to do).  I kissed Heather good-morning, made a lil’ pot of pu-erh, lit my incense and offered water on my little shrine, lit the candle, did my little lujong routine, sang a bit and then out the door to breakfast.  Feels like falling right back into the grooviest groove I’ve known in my life.  Said good-morning to my neighbor: The Great Stupa.

Mojo, mojo, mojo.  Wishing that beneficial songs, truths and beauties may come forth in this new/familiar arrangement.

May all beings know good mojo, good houses. May all beings recognize the ongoing miracle.

–March 24, 2014

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PortraitTravis Newbill is a curious dude on the path of artistry, meditation, and social engagement who is very glad to be residing at Shambhala Mountain Center. His roles within the organization include Marketing Associate and Head Dekyong–a position of leadership within the community.